“Movies about mothers – mothers’ relationship with their children, children’s relationship with their mothers – can trade in easy sentiment or melodrama. But motherhood isn’t all swaddling and coddling and comfortable archetypes. In the rough terrain where a woman becomes a mother, she can feel she’s been corralled, her personality, her persona, her entire independent self suddenly defined largely by her actual or idealized connection to a child. These three thrillers tap into the poignancy and pressures that many mothers face, digging into the complicated web of social expectations in a world that both mythologizes and devalues motherhood, while translating the everyday tensions of caregiving into the language of the fantastic and the grotesque.”
Today at The Toast, my essay about motherhood as depicted in Bunny Lake Is Missing, The Others, and El Orfanato.