in the night… in the dark…

An evil old house, the kind some people call ‘haunted,’ is like an undiscovered country waiting to be explored.

Robert Wise’s 1963 The Haunting (adapted from Shirley Jackson’s The Haunting of Hill House) is a masterpiece of measured suspense, a truly haunting portrait of repression and anxiety mounting from dread to outright terror. It’s also the bittersweet tale of a young woman struggling to overcome a lifetime of isolation and alienation, determined to see a slice of the world and find adventure, love, and somewhere she belongs.

On Saturday, October 25th, starting at 8:00 p.m. EDT, I’m hosting a live-tweet of “The Haunting” (1963) at @emilyorelse for The Toast. Join in on #ToastieTwitter and #TheHaunting!

Then during Halloween week, visit The Toast for my analysis of late-bloomers, love, and friendship The Haunting and Lucky McKee’s 2002 May, a genre-straddling horror-romance story of a lonely woman seeking company and comfort. (And join the May live-tweet on Monday, October 27th!)

The Haunting will play on Turner Classic Movies at 8:00 Eastern on Saturday, October 25th. You can check out the Facebook event for live-tweet, where I’ve posted plenty streaming options, or look for The Haunting in independent video stores everywhere. We’ll be live-tweeting the 1963 original, not the 1999 remake.

overnight in Ferguson

“I don’t want to put the group in danger. I was trying to go in deeper with this. At this point, it’s clear that they’re trying to exterminate folks.” Elon James White‘s overnight coverage (Tuesday, August 19th) in Ferguson, Missouri.

“Outside, they’re just gassing everyone. If they see a human being, they throw a gas canister at it.”

the mother of all fears

Bunny Lake dolls

“Movies about mothers – mothers’ relationship with their children, children’s relationship with their mothers – can trade in easy sentiment or melodrama. But motherhood isn’t all swaddling and coddling and comfortable archetypes. In the rough terrain where a woman becomes a mother, she can feel she’s been corralled, her personality, her persona, her entire independent self suddenly defined largely by her actual or idealized connection to a child. These three thrillers tap into the poignancy and pressures that many mothers face, digging into the complicated web of social expectations in a world that both mythologizes and devalues motherhood, while translating the everyday tensions of caregiving into the language of the fantastic and the grotesque.”

Today at The Toast, my essay about motherhood as depicted in Bunny Lake Is Missing, The Others, and El Orfanato.

wiki-hole

My latest trips down the wiki-hole:

It’s a straight line from Dazed and Confused to the Austin moon towers to the Servant Girl Annihilator.

And, though I don’t remember precisely the path, it’s no surprise that I refreshed my memory of the dancing plague that afflicted 16th century Strasbourg.

But I still don’t remember what process led me to the Dugong hypothesis for the origin of the word tabernacle.

no words can express…

Pontypool heart screenshot - Version 2

“St. Valentine’s Day is an excuse to express our most intense or obscure passions. But words can be a frail tool to capture the complications and complexities of this thing we call love: the sweet blush of infatuation, the kinship and kindness of true companions, the frenzy of unfettered lust, the torments of jealousy, betrayal, or heartbreak. So perhaps it’s no coincidence that three films set on Valentine’s Day hinge on the fragility and feebleness of words, creating worlds where meaning and reason fall apart.”- Kiss is Kill

Today at The Toast, my guide to three Valentine’s Day films where meaning falls apart: Pontypool, Picnic at Hanging Rock, and Eternal Sunshine of the Spotless Mind.