There has to be a middle ground between Maria’s frantic tendency to overextend, her sluggardly loafing, and her resentful lashing out at people who drive her to achieve. But tryin’ is for chumps, so in “Loaf Coach,” she learns the art of doing nothing. Read my full review at The A.V. Club.
“I stop with my hands! Which means I’m on an adventure!” Maria warns the
coffeehouse crowd early in “I Love You.” Maria’s wheeling out of
control, and not just because she’s on rollerblades. This episode’s is all about establishing and respecting boundaries, but almost no one in it knows how. Read my full review of “I Love You” at The A.V. Club.
“Bisexual Because Of Meth,” the second episode of Lady Dynamite, poses some worst-case scenarios, then shows that even the worst case is rarelyquite thatbad. The episode tries to have its meth cake and smoke eat it, too, by sending up some ugly tropes even as it gleefully exploits them. But ultimately — and in keeping with Bamford’s comic voice — it’s a hopeful story about learning to trust your gut and sing your heart out. Read my full review of “Bisexual Because Of Meth” at The A.V. Club.
With a collection of wacky misunderstandings and a nod to Three’s Company, “Jack and Diane,” the fourth episode of Lady Dynamite, marries classic sitcom conventions with its distinctively capricious, enormously pleasing voice. Read my full review of “Jack and Diane” at The A.V. Club.
American Horror Story: Hotel worries about these kids today, with their Instagram and their entitlement and their Oedipal fixations, when it should really be worrying about the adults’ misguided efforts, and also American Horror Story: Hotel just wishes you would just call if you’re going to be out late, that’s all, it doesn’t seem like a lot to ask, but AHS: Hotel doesn’t like to make a fuss so if you can’t be considerate it will just sit over here and not complain, not even a peep.
Then it’s time for The DVD Shelf, where I talk about the absurdity and downright surrealism of Monty Python’s Flying Circus. Remember, if you want to pick a fight with me about Monty Python, it’s one pound for a five minute argument, but only eight pounds for a course of ten.
I didn’t expect my review of the season two premiere to delve into how Forrest MacNeil (Daly) uses his job reviewing life experiences as a pretext for escaping his own life, abdicating decisions and destiny both to the hands of random viewers, boxing off his actions from their consequences. Review allows Forrest to pursue adventures and debauchery without acknowledging how his own desires drive his behavior or how his detachment from his own culpability puts walls between him and the people he loves. Review lets Forrest put his life in a box… or, in this episode, in a hole.
Suzanne, Forrest’s ex-wife (Jessica St. Clair) [Comedy Central]
Forrest is right about one thing: It’s possible to find meaning in the most unexpected places, and in assignments that sometimes seem random.