me: Hey, honey, guess who follows me on Twitter?
me: Taye Diggs!
Dennis: Huh. Oh, yeah, look that up — I think there’s a story about how he follows thousands of random people.
me: … WHY WOULD YOU TAKE THIS AWAY FROM ME?
Engaging in conversations about street harassment on Twitter is like saying that reluctant “Hello” back to a strange man who says “Hi!” on the street: sometimes it’s fine, but mostly it just means he latches on and follows you, yelling, for the next five blocks, and you never know which it will be until it’s happening.
Women don’t owe men their attention, on the street, on the subway, or on Twitter…
… but Twitter has a block button.
An evil old house, the kind some people call ‘haunted,’ is like an undiscovered country waiting to be explored.
Robert Wise’s 1963 The Haunting (adapted from Shirley Jackson’s The Haunting of Hill House) is a masterpiece of measured suspense, a truly haunting portrait of repression and anxiety mounting from dread to outright terror. It’s also the bittersweet tale of a young woman struggling to overcome a lifetime of isolation and alienation, determined to see a slice of the world and find adventure, love, and somewhere she belongs.
On Saturday, October 25th, starting at 8:00 p.m. EDT, I’m hosting a live-tweet of “The Haunting” (1963) at @emilyorelse for The Toast. Join in on #ToastieTwitter and #TheHaunting!
Then during Halloween week, visit The Toast for my analysis of late-bloomers, love, and friendship The Haunting and Lucky McKee’s 2002 May, a genre-straddling horror-romance story of a lonely woman seeking company and comfort. (And join the May live-tweet on Monday, October 27th!)
The Haunting will play on Turner Classic Movies at 8:00 Eastern on Saturday, October 25th. You can check out the Facebook event for live-tweet, where I’ve posted plenty streaming options, or look for The Haunting in independent video stores everywhere. We’ll be live-tweeting the 1963 original, not the 1999 remake.