Popular Madonnas

I’ve finally created a thesis statement. It is, like everything else, temporary.

I’m positing that the staggering popularity of Luca della Robbia’s terracotta Madonna reliefs arose as an indirect result of the increase in foundling homes, which fostered (no pun intended) a change in the cultural vocabulary regarding women, motherhood, and infants, as well as a growing devotion to Mary.

And, yes, I did choose this in part because the stuff’s so pretty.

Clash of theses

Despite the extra day off (thank you, imperialist swines of history!), I am exhausted and badly disorganized. I haven’t unpacked my winter coats and gloves, ordered my new computer, or written a formal thesis statement for my art history class.

In fact, I am very much afraid that my art history paper has taken a turn for the interesting. I anticipate so much trouble sticking to the professor’s strict page limit that I’m considering new but related topics:

> The Innocenta: The dowry as an index of honor for Renaissance Florence’s foundling girls
> Nekkid, nekkid, nekkid: Sexual license, adolescent confraternities, and Donatello’s David

My thesis statement is due in just a few days, so I plan to research all three simultaneously and see which argument emerges from the historical record fastest. Also this week, I need to start the heavy lifting on my anthropology thesis, for which I am (tentatively) researching the Westermarck effect in maritime societies. Zowie — college is fun!
Heaven help me, I mean it.